November 14, 2009
Todd Snider
Great American Taxi
8:00pm $25.00
Todd Snider
Best known for his wry humor, Snider has been a fixture on the Americana, alt-country, and folk scene since his debut on MCA, entitled Songs for the Daily Planet, named for the bar where Snider used to play regularly in Memphis. On that album were the minor hits "Talkin' Seattle Grunge Rock Blues", a folk song about the early '90's grunge scene, featuring a band that "refused to play", and "Alright Guy", which later became the title cut of Gary Allan's 2001 album.

He released two more albums for MCA, Step Right Up and Viva Satellite, the latter often sparking colorful debate amongst fans for its comparisons to Tom Petty. He moved to John Prine's Oh Boy Records where he made Happy to Be Here, New Connection, Near Truths and Hotel Rooms, East Nashville Skyline and Peace Love and Anarchy. That Was Me: The Best of Todd Snider 1994-1998 was released on the Hip-O Records label in August 2005.

Todd Snider's next studio album, The Devil You Know, was released in August 2006. It marked Snider's return to a major label, as he is now recording for New Door Records, a subsidiary of Universal Records.

The Devil You Know was named to several critics' year-end "best" lists, including a No. 33 ranking in Rolling Stone magazine's top 50 albums of the year, a No. 25 ranking by No Depression magazine, and No. 14 by Blender magazine.

Snider's songs "Late Last Night" and "I Believe You" have been recorded by the Oklahoma red dirt band Cross Canadian Ragweed. He co-wrote the song "Barbie Doll" with country star Jack Ingram.

Snider's album, Peace Queer, was released on October 14, 2008. Peace Queer reached #1 on the Americana Airplay Chart on October 27, 2008.

Snider's latest album, "The Excitement Plan", was released on June 9, 2009 on the YepRoc Label. The album was produced by the highly regarded producer, Don Was.
Great American Taxi
Great American Taxi is ready to charge into 2009 with a new album on the horizon and some new members in the cab. In December of 2008 founding members Vince Herman (Leftover Salmon) and Chad Staehly brought their new line-up and a few special guests into Backbone Studio in Loveland, CO to record the next evolution to their "Americana without borders" brand of music. Filled with electric folk, alt-country, a dash of bluegrass and good ol' rock and roll, Taxi has found their stride and sound. The latest version of Taxi includes Jim Lewin on electric guitar and vocals, Edwin Hurwitz on bass guitar and Chris Sheldon on drums and vocals. Barry Sless is also considered a member at large adding pedal steel and guitar when he can get away from his other gigs and jump into the Taxi.

The band has been led by Herman and Staehly since its inception for a Rainforest Action Group benefit show in March of 2005. Now approaching well over 400 shows, the band has kept a fairly busy schedule of 140 shows a year and has hit a lot of the premier music festivals along the way including High Sierra Music Fest, Wakarusa, Summer Camp, 10,000 Lakes Festival, Dunegrass, Nightgrass slots at the Telluride Bluegrass Festival and the list goes on. After a brief tour in fall of 2008 supporting Railroad Earth, the idea was hatched to have Tim Carbone (fiddle player from Railroad Earth) produce Taxi's latest album, and it proved to be a magical marriage. Carbone also added some fiddle to a few tracks complimenting Taxi's big sound which includes Herman's acoustic guitar, Staehly's rock and honky-tonk piano and organ work, Lewin's west coast telecaster guitar assault, Hurwitz's funky bass lines and Sheldon's tasty percussive blend. Sless also added some pedal steel and guitar, and Carbone brought in a horn section and some gospel singers for a few tunes as well. This all supports Taxi's original song-writing, which is also complimented by 3 part harmonies and strong lead vocals from four of the five members.

Great American Taxi's sound has been compared to a variety of roots oriented bands including New Riders of the Purple Sage, a "Grateful Dead for the new millennium," Wilco, Uncle Tupelo, The Byrds and more. People will hear threads of the Leftover Salmon fabric propelled by an inspired Herman being supported by a cast of talented minstrels ready to follow Herman to the land of 'Festival!" Herman's in-your- face, in-the-moment improvisation helps bring the party to Taxi's well-crafted songs. People from all backgrounds will be able to latch onto something in the band's sound. Great American Taxi is truly a melting pot of musical tastes and styles all rolled into their "Americana without borders."